Category Informed Tourism
Interview: the Klezmer Gentiles
International artists in Berlin occupy a semi-privileged position, able to ask critical questions of society without being publicly rebuked. An example of such an artist is Soliman Lawrence. Soli has been photographing the memorialization of Jewish culture in Poland for years, following the tracks of a new form of engagement with the past, as enacted by a more recent generation of Poles. In contrast to Poland, Germany now has its fair share of Jews. What might this mean for memory and its rituals?…[Read more!]
Rave: the Political Berlinale
The festival of the golden bear invites the local to become a voyeur and thereby, to recall the headlines, the paroles, the debates, the sagas of the last year – to make meaning of images and thus to make sense of things, or, at least, to just make some sense. In the spirit of the critical viewer and in celebration of themes close to Berlin migration politics, I give you this rave of timely films and the 3 local contexts that make them and this Berlinale so special…[Read more!]
Happy Weekend Review: An Old-New Christmas Market
Let’s just come right out with it: It’s hard to beat Christmas in Germany. Glühwein, cookies, classic lights, decorations strewn across homes and street corners, a calendar that expects, nay, requires you eat a chocolate per day… it’s simply wonderful. Though I grew up in the US, my family celebrated Christmas the Teutonic way. I have more than fond memories of hiding the Buttergebäck and Lebkuchen in the laundry room from our Opa so he wouldn’t devour them in one sitting, ripping open a human-size Adventskalendar in the course of one night made by our Oma…[Read more!]
Beyond Berlin: the Istanbul Connection
Istanbul gives Berlin its baseline. In kind, Berlin is richly integrated into the complexity of Istanbul. For no relationship is ever purely one-sided. And so a Berlin : Istanbul connection, which moves beyond Gastarbeiter music and Fatih Akin films, is what one can find after six days immersed in the shapes and silhouettes of this city of 13 million…[Read more!]
Rave: Why Remembering the Holocaust is Good for Immigrants
In 2005, Germany officially became an immigration country with the establishment of its federal office for migration. The question – who are the Germans anyway? – has become increasingly important in deciding what to impart to these newcomers set to stay. Expats are good at constructing Germanness for the Germans themselves, often leaving out the Holocaust in such a description of ‘German identity’, however. Today’s Germany – an immigration country – is a republic built on tragic events like the Holocaust, just as France is a country built on colonialism. Everything has a context, and it is this context that immigrants to Germany should learn to understand for the sake of a more complete country – a civic society which respects differences and celebrates them…[Read more!]